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Friday, October 28, 2011

A Puppet and a Fist: Open Mic Night

The only difference between people in Greyhound bus stations and people going up at comedy open mics is, the people at open mics want to be discovered. Often times they are just as crazy but they still want to be seen. I'm not going to lie. A bad open mic can be just as enjoyable for everything that goes wrong with at it as an open mic where everyone kills. Standing in back and burning karma by talking shit about what you're witnessing with a few other people can be a lot of fun. I know. I'm a bad person.


Rooster T. Feathers is a club I love. It also runs one of the last truly open Mic nights in a comedy club anywhere. There was a time when most clubs had an open Mic night. Most have stopped, a few do a partial open mic with a few pros in the line up to keep it good and some do one once a month. Roosters keeps the tradition alive by doing one once a week. Its also a pure open mic in the sense that if you sign up you go up. If you bring people you get more time but it remains a pretty democratic system. This means someone without a clue can get on stage for five minutes and try to hold the attention of the crowd. It also means someone with undiagnosed mental illness can get on stage, too. I said crowd but in most cases we are dealing with twenty or so people scattered at the various tables and chairs. Most are friends of one of the performers going on that night. A few are people who wandered in out of curiosity.


On the night I am closing the show, I am in the back burning Karma with Bay Area local legends, Larry "bubbles" Brown and Jimmy Gunn. It is the usual open mic with plenty of poorly constructed jokes on masturbation, pot, porn and rape. I don't know what it is about white guys and jokes about rape, but there are plenty of both of those. Here and there, in random moments, a few jokes pop out of the mouths of the mostly confused people on stage. One after the other they all go up and get a crack at the ten people who make up the "crowd."


Three people are sitting up front at a table. One of them, a woman in her late 40's, heckles the comics. She continues to comment or awkwardly compliment the comics. This wouldn't be all that unusual accept she is suppose to go up too. Quick hint to anyone thinking of trying stand-up comedy out. When you go to your first open mic, don't sit directly upfront and "talk" to the other performers on stage. She isn't being funny or cute, just very annoying. The manager goes over to her and asks her to stop. She does. For a while and starts up again. She is reminded again that this isn't a conversation and once again she stops and then starts up again. The comics, God love them, are all new. Awkward, nervous, attempting to be edgy and coming off creepy; all but a few are pretty grim and none are helped by the heckler. The fact that she is going up and that she is so completely clueless is hilarious.


The night progresses and eventually we are down to the remaining two or three comics. I've lost track. A man in a suit goes up. his timing is impeccable but his jokes are awful. What becomes rapidly hysterical to me is that after each punch line fails to get a laugh he simply says "Thank You" in a forceful baritone. It becomes one of those things that is so ridiculous and you know its not actually funny but you can't help it. He tells a vaudeville type one liner. Thud. "Thank You." All this and the lady up front still hasn't gone up.


Finally, we're down to the woman who won't shut up. Before she is introduced she comes to the back where she has left a plastic pumpkin and some other items. She puts on a Dracula cape. A Dracula Cape! When she is introduced she walks on stage with a swagger ordinarily reserved for people going to the electric chair with crazy smiles. And, wearing a cape. She puts her hand above her eyes because the lights are bright and promptly tells us "I'm so high right now and that's no joke." Awesome! Larry, jimmy and I are all watching in awe. She tells us that she has a surprise. Its hidden under her cape. She pulls it aside to reveal one of those puppets that has its arms wrapped around her. WoW! Just when I thought this couldn't get any stranger, it does! She introduces her puppet as her wife. "we got busy the other night." She explains. Larry, Jimmy and I are observing this with guilty grins. In front of us, sitting at the side of the bar, a man turns around with a business card in his hands. "This is her card." If you believe what the card says, the woman on stage is a massage therapist. "She specializes in prostate massage." All I can say is, Google it. It makes sense, in a weird way, when you look at whats happening on stage. She keeps asking if there are any couples in the audience. Then she asks when was the last time "...you got busy?" I'm not sure if anyone ever gave her the answer she was looking for but she begins to give what she calls a deep organ massage to the puppet. At this point, Larry leans in between Jimmy and I and says "It's a Lemur, I believe." This makes me laugh so hard. At about the same time she starts to thrust her fist into the butt of the puppet making loud noises in what I'm guessing is her idea of what you would hear when they get busy. Wearing a cape and fisting a puppet does make you stand out at a show. I will give her that.


Then, its my turn. I walk on stage and all I can say is, I've seen some shows but wow. Its great to be here on mental health night. And thats about how it goes for the fifteen minutes I'm up there. Comedy. Its bold and beautiful, wonderful and scary. Those are the good nights, folks. On the bad nights its stunning for all the wrong reasons. I have seen a lot of shows. I've done comedy for twenty years. Until this night though, I hadn't seen anyone fist a puppet on stage.

Thursday, September 08, 2011

Good Luck, America! Part 1: The Republican Debates

I just watched the Republican debates. My favorite part was when Rick Perry was asked about Global Warming. He said that all the science on global warming "...wasn't in yet..." and then noted that "Galileo got out voted for a spell too..." Really? You're using Galileo as your example of waiting for all the facts to come in? You mean the guy who figured out the Earth actually went around the Sun and the Catholic Church called a heretic placing him under house arrest till the day he died? That Galileo? You mean the guy the Catholic church apologized to 400 years later because they were wrong? You can't use one of the best examples of someone being punishing for science when you are the one against science. Then again Texas leads the nation in the high school drop out rate at 25%. It's not like education is very important to Rick Perry. In fact, denying the science behind his states record drought and wild fire season is only the start. He cut funding for rural fire fighters, where most of the wild fires originate from, and asked the people of his state to pray for rain.

If that "spell" Rick Perry is talking about is a 400 year long wait before all the facts are in then it's safe to say Texas isn't going to make it. Good luck, America. This is the Republican front runner.

Why are Christians falling all over themselves to claim God is punishing parts of the country with Hurricanes and earthquakes? The state of Texas is on fucking fire! What is God telling them?


At one point in the debate, all the Republicans agreed that what is killing the economy right now is Obamacare. That is hilarious to me! Most of the provisions of "Obamacare" won't take affect until 2014. The parts of the plan that are working now make it a law that HMO's have to spend 85% of every dollar collected on health care. That, and a kid can stay on his parents plan till he is 26 and HMO's can't denny health coverage to children with pre-existing conditions. If this is what is killing the economy then by all means, lets start killing these kids and letting CEO's of HMO's spend money on private jets till all thats left for ICU's are IOU's.


Over and over almost everyone of these followers of Jesus claimed that government and its regulations are what is in the way of people getting quality health care. They would prefer "market based solutions" for dealing with health care.

Market based solutions is a wonderful little term. Instead of the government testing products for safety or making sure a product does what it says, the market can dictate which business makes it and which business goes bankrupt because consumers won't buy an inferior product when they can get something better from a competitor. Maybe, but before people realize a company is selling bad spinach or a car is dangerous, they have to die. A whole lot of people have to die before the market catches on. Does anyone really think market based solutions is the most humane way to help sick people? The best example of what can go wrong when there is zero regulation is THE ECONOMY! You remember that one, right? The banks, investment houses and credit rating companies said they can watch over themselves. After all, if a company screwed up the market would provide a solution. Actually the market collapsed along with billions in pensions and 401k's. Never fear, the American tax payer bailed out the banks. Its funny because when we give government money to struggling people the rich scream socialism but when we do it with companies we say, they were too big to fail.

When it comes to health care, this so called Christian nation is decidedly anti-christian in its approach to helping sick people. And what's with the screaming about socialism? Jesus healed the sick and poor for free. Jesus got mad at money changers in the temple. Jesus said a rich man has as much chance getting in to heaven as a camel does getting through the eye of a needle.

Jesus WAS socialized medicine, America!

I guess in their minds Jesus wasn't put to death. It was simply a market correction by the Roman authorities who were too big to fail.

Never mind, America. Go back to the Jersey Shore.


Last week Mitt Rommney unveiled his economic plan. Its a 150 page booklet you can download from Amazon Kindle. In talking about it he said, "I don't know if it's free or not..." Your campaign manager must of shit hearing that. You're telling the American people you don't know what your plan will cost them? Literally!


I think I finally figured out the Republican plan. Since they are obsessed with security they are going to allow the country to fall into bankruptcy and refuse to fix our crumbling infrastructure so if the terrorists ever return to America they will look around and think someone else already set a bomb off here!

We are spending two billion dollars a week to be in Afghanistan.

If we aren't going to spend money here to educate the next generation to find better solutions that we tried and we aren't going to rebuild the crumbling bridges, roads and tunnels then what are we actually protecting America from?


First of all, Obama has turned out to be a disappointment to everyone who put him into office. So when I start bashing the Republicans who are largely to blame for why we are in the mess we are in right now, please don't fire back that its Obama's fault. The Republicans were wrong about EVERYTHING they said for eight years, folks.

When Bush was handed a CIA memo titled, Bin Laden determined to strike in America, he stayed on vacation. Wrong.

When we were attacked on 9/11 he attacked Iraq. Wrong.

He said they had weapons of mass destruction. Wrong.

They told us the banks needed further deregulation to get people into their own homes. Wrong.

They told us New Orleans had nothing to fear. Wrong.

They told us lowering taxes on the wealthy, something never done in 2,000 years of recorded history during a war, wouldn't hurt the economy. Wrong.

They told us raising taxes on the rich hurts their ability as job creators. Bush lost jobs at a historic rate while the rich were taxed at historically low rates. Wrong.

Blaming Obama for this economic mess was like Bush blaming Iraq for 9/11. Wrong.


You can blame Obama for being a pussy. You can blame Obama for caving in over and over again. You can blame Obama for a lot of things but it seems the biggest problem most conservative minded people have with Obama is Obama is the president.


What is their plan to get rid of him? The Republican tea party plan is to keep things shitty in America so people blame Obama and vote him out. You think I'm kidding? Check this out. The Republican tea party idiots allowed the credit of America to be downgraded by not agreeing to raise the debt limit.


You heard a lot of people screaming about balancing the budget and we have to learn to live within our means during this disaster, right? They are all idiots. The budget is how we agree to spend money in the future. The debt limit is about continuing to pay interest on money we already borrowed. What was that money spent on? It was spent by the Republicans for wars that weren't paid for. While every one of the wannabe Republican president hopefuls demanded the president do a better job to fix the economy, no one seems to remember its a direct result of the Republicans doing exactly what they wanted for eight years. Getting our credit downgraded by refusing to pay for wars you demanded we have is not a solution to fixing the mess. However, it is a great recipe for getting Obama out of the White House.

Do you see their strategy? They gave a black man in public housing bad credit. Its what rich white people love doing only this time its the president and the house isn't the White House, it's America.

Its like they bought the biggest most expensive flat screen 3D wifi ready plasma TV and after making payments for eight years suddenly decided that the best way to get out of this economic mess is to fuck up our credit by not paying for it anymore! This is Obamas fault?

Like I said, Blaming Obama for this economic mess was like Bush blaming Iraq for 9/11. Wrong.


Mitt Rommney, Michele Bachmann and Rick Perry are the leading contenders for the Republican ticket. The fact that two out of three of them claim God told them to run for president should be a red flag. If you believe an all powerful being registers disapproval with homosexuals wanting marriage by shaking the earth but then takes time out of ruling the universe to say I want you to be the leader of one nation on one planet in one galaxy, you should automatically be disqualified for the office. Besides, if God really talked to Michele Bachmann I think the first thing he would say is, you know your husband is gay, right?


Sunday, August 28, 2011

My Comedy CD is Finally Here!


It's finally here! It took most of the last four months to finally get it ready, recorded, printed and shipped but my first ever full length comedy CD is ready for you to download! I was seriously starting to wonder if I had bitten off more than I could deal with at the moment. I started planing for the actual show the same day I was laid off from my day job. That was tax day, April 15th of this year! When the night finally came the little theatre, Stage Werx was sold out! It's the same place I do my storytelling show, Previously Secret Information at. I did an hour and a half that night. Not only that, but I did it with almost no riffing! If you've seen me before you know how rare that is. With eight pages of notes on a music stand and the most adoring, incredible, wonderful group of fans I could hope for, the night went about as perfect as you want a night to go when you're recording your first ever comedy CD. The tickets paid for the sound engineer who recorded it and if things keep up the way they seem to be going the first 100 actual copies will be paid for by the end of the week with downloads! I could not be any more proud right now!

Alright, so how do you get yourself a copy? There are three main ways.

1. Download an MP3 directly from iTunes for $9.99

2. Download a copy from CD Baby for $9.99

3. To get an actual CD mailed to you
The cost is slightly higher (it covers the cost of shipping the CD)
and has a few more steps. Visit my website to see how you can do this via PayPal here.

Please leave feedback at whatever site you buy it from!
Thanks and I hope you enjoy it. The second CD is already waiting to be mastered!

Monday, August 01, 2011

Too Good or a Fail?

Is it possible to be in trouble for being too good? I've got to check my ego, take a deep breath and ask myself if I am really seeing the whole picture with that statement. Allow me to explain.
I performed at a club where I was the feature act. A reviewer came to the first show of the week.
I left right after my set so I can't say what exactly the headliner did or didn't do. Long story short, the reviewer didn't like the headliners act. He seemed drunk, the reviewer said. he seemed off his game, the reviewer noted. What the reviewer did like was me. What was suppose to be a review for the headliner that week became a glowing endorsement of the Klocek experience. Hands down, it was the best review I've ever had as a stand-up comic. Not just because I stole the show but they got me. Even reporters who do dig me sometimes fail to explain what I am doing with the crowd. Because I treat the audience like we are friends hanging out, I get to be the smart-ass friend who gets away with making fun of you. I might say fuck you but it's always with a wink and a nod.
This reviewer got that.

It was the next day at the club when the manager brought the article to my attention. He was angry that the headliner and by extension, the club had been given a poor review. he realized it was great for me but in an effort to ingratiate myself I suggested that I too was unhappy with the review because it gave away several of my punch lines. The manager said he was going to complain to the small on line paper and that was that. I didn't think anything more of it until a few weeks later when I was back in the area doing another show and I posted the link to the piece. A few people emailed me asking what did I do. What did I do? the link wasn't just dead it now brought you to a page that said the article had been taken down for illegally being used. What did I do?

I emailed the reporter who had friended me on Facebook. She seemed friendly enough. I asked what happened to the article and thus began a frustrating afternoon of figuring out exactly how good I should be when featuring in clubs. My first shock came when she replied, I thought you had asked for it to be taken down? WTF! Why would I ask to have the best review of my stand-up comedy career removed? She told me her editor had said the manager of the room said I wasn't pleased with the number of punch lines the article contained. Ah oh. Here is where everything suddenly clicked into place. The manager has a job to do. Promote the room. Instead of saying he wasn't pleased with the treatment of the headliners set he went with me being the bad guy to get a review that cast the room in a poor light taken down. End result; the best article written about me as a live stand-up comic cannot be googled, downloaded or seen by anyone.

For a few days I wrestled with going back to the manager of the room and requesting that he contact the editor and have the piece put back. What would this accomplish? More than likely the manager would think I was a dick and I might alienate myself from a good room. That and why the hell did I even say anything bad about a glowing review in the first place? What a mess. I felt like I couldn't win for doing a great job. Like I was being penalized for just doing what I do on stage. Besides, I didn't see the headliners set but the rest of the week it looked like the guy was crushing. Still, the idea that I got in trouble for being too good stayed with me until I convinced myself it was just silly and I was hanging onto it because it made my ego feel good.

Another week in another club came around. I was the feature act again for a headliner with hip TV credits, a podcast following and the added bonus of having worked with him before. Everything seemed fine the first night. The second night I had a fun set too. The only thing I can comment about that second night was that the crowd was a little weird. There were three different tables that were a little vocal. Not drunk or out of control, just a little vocal. I had decided that this week I was going to work on material and keep the riffing to a minimum. I engaged the tables one by one, had some fun and then politely shut them down before moving onto the new stuff. If a comic can't handle drunks in a night club they might not be ready to headline. Period. I didn't watch their set but supposedly they had a little trouble dealing with the more vocal fans. Thats the other thing, they had almost the entire room there to see them. After the show the headliner sold his CD and shirts to adoring fans and I passed out fliers to my storytelling show. Thats when a woman came up to me and in front of the headliner said "You were funnier and should of been the headliner." I'm not a dick. I just smiled, thanked her and hoped the headliner hadn't heard them. Well, he did. The headliner didn't say anything to me about this. In fact, I might never have known anything about the incident but he told the opener who then told me. Ah, thats right. This is pure passive aggressive Hollywood style. Again, I felt like I was getting in trouble for doing great. I didn't think too much about it but then the opener told me they thought I went long on the late show Friday. If I had gone long the Booker, who never hesitates to tell any comic when they went long would of told me and I checked with the manager who also confirmed I did not go long. At this point I am just pissed. Fuck these Hollywood pussies! You have TV credits, fans and the much larger pay check to be here this week. I don't have the luxury of relying on fame, I have to win my audiences over by being a damn good comic. Its the mark of a weak headliner when they start blaming the feature act for their lack luster performances. Besides, if one person says I did better than maybe you should worry about the people lining up to give you an additional $20 for your T-shirts and CD. They seemed to like you just fine. Why take it out on me?
And so it went.

The headliner didn't like my set for some reason, told the opener and then went on stage and had OK sets in front of the audience their name brought out! To my face everything was always, nice set! Good stuff! Thanks for being on the show! I felt like we were divorced and the opener was our child bringing messages between us. Only, I had nothing to say. I hadn't done anything wrong. I wasn't riffing like I usually do. I wasn't going long by anyone elses standards and I started the week as a fan excited to be working with him. In fact, I was hoping to ask the headliner if he would take me on the road. Yeah, that clearly wasn't going to happen.

My problem is this. I can't headline because in this day and age of marketing is everything, I have not appeared on an HBO show. I don't have a well subscribed to podcast. I don't have Comedy Central specials under my belt. I am just a fucking great comic who has to earn his fans joke by joke, show by show. Most of these L.A. wonders developed inside the bubble of L.A. They can act and network but most do not have the skills to keep a live audience of their own fans interested for forty five minutes. If I am in trouble for anything it is for doing my job well. Period. Who am I? I am Joe Klocek. I am funny. If you can't follow me don't invent bull shit like I went over my time to sooth your ego. Hire me to write for you. That way I can finally make some money in this fucked up business and you can give your fans a good show.

Tuesday, June 21, 2011

The Seth Meyers Gig

I live at the edge of America. Directly on the beach, at the end of the Avenues, in the Sunset district of San Francisco. Whatever bit of sunlight the day has, it lands on the balcony window overlooking the sea. I've lived here for two weeks now. I am now as far from my mid-western roots as I can possibly be. Literally. Dark angular shapes- cargo ships- make for the horizon, or set course for the Golden Gate. It's beautiful. Living with a view of the ocean is like having a painting that changes by the hour. In the evening, people will gather at the walls built to hold back drifting sand, and stare out at the sinking sun. They come because they believe there is a green flash right before the sun disappears from view. Others stand alone in front of the waves just looking outward. I imagine some of them are saying private prayers locked in their own sense of deep grief, or solemn wishful thinking. There are also the lovers, holding onto each other, smiling, and bracing against the wind. They look at each other more than at the ocean. Every night, a new collection of people brave the cold to bear witness to the day’s final moments. I'm sure it has different meanings for all who attend.
Yesterday, I watched the sun slowly fall toward a bank of clouds that looked like a throne. As soon as the orange and gold globe hit the clouds, the cotton edges glowed like the tips of ashes in a fireplace. The more the clouds swallowed the sun the more its rays shot out and lit up the distant darker clouds. Crimson, rust, pinks and even a slight green could be seen before the final molten glass piece of the sun disappeared.
I watched as my headphones pumped in the opening to the Pink Floyd Album, “Wish You Were Here”. I can’t think of a better way to end a day by yourself.

The life of a comic. It's always the same. Sort of. Just after 6PM on a Tuesday I get a phone message from the Booker of Cobb's Comedy Club. They are looking for an opener for Seth Meyers this weekend. Am I around and do I have a clean smart clip I can send him to forward to Seth's people? That's the kind of phone message that makes you pull over. I call the Booker back and say “Yes, and yes!” As luck would have it, I've been working with the producers of Craig Ferguson to get on so I have a few clips posted on YouTube that I can forward. There is a lesson here for any young comic. Have a clean, TV-ready set somewhere on line, that you can send to a booker. Not just the local open Mic or another comic, I mean the bookers you want to be working for. That set is worth gold. After I send it, I’m told they’ll watch it. All I can do now is wait, and brag to a few friends about what I might be doing this weekend. The gig isn't at Cobb's. Friday night, it’s at a theater in Napa, CA; Saturday night takes place at the Montbleu Casino in Tahoe, NV. The money is great, the crowd will be hot, and I get a hotel in Tahoe. All in all, it’s pretty awesome.
Wednesday comes around and Tom, The Booker at Cobb's calls. "You got it." Beautiful. That Friday I get a phone call from Seth's manager. He explains that Seth likes to be left alone before a show to prepare, and that he’s a mellow, easygoing guy. If Seth talks to me after the show, then it's cool for me to respond but for the most part he likes his privacy. I tell him I totally understand, and will give him his space. I can only hope to reach a point in my career where someone else calls up the opener to make a passive-aggressive suggestion to leave me alone. I have no idea if Seth Meyers asked his manager to specifically make this call. Most big league managers are over-protective of their clients. But, whatever. As long as I get a crack at his crowd, and the check clears, who cares what he’s like?

I arrive at the theater in Napa three hours early for sound check. The Uptown is a gorgeous palace. It was reopened after remodeling just a year ago. I walk in, taking it all in. Just under 1,000 seats, with art deco paintings on the ceilings, it’s the kind of place every comic imagines playing when they start. There isn't a bad seat in the house. Tonight it’ll be sold out. I have twenty minutes up front, and the excitement is starting to build. I meet the sound guys and they ask if I’m ready for the sound check. Sure. To me a sound check is basically turning the mic on, making sure it stays on, and then waiting to use it. These guys are professionals that leave nothing to chance. They show me a back up wireless mic, and another corded mic, at the base of the monitor directly in front of me. The main mic stand sits by a stool, on top of a well-worn, handsome area rug. It looks like the back of an album cover from the 70's. It's perfect. They turn the mic on and I start speaking. They ask me, is that enough monitor? How is the echo? Do I like the mix? Ah, yeah. That’s good monitor for me. That’s good echo, does it sound good to you guys? I’m bullshitting my way through the sound check. I don't have a clue what they mean by these things. I’m used to small rooms and faulty equipment – usually, the guy running it answers any question about quality by shrugging his shoulders. It suddenly dawns on me that here I am, again, in a big-time situation; and as much as I know I deserve it, I’m a little lost. Still, the sound guys aren’t only pros, they are cool. In fact, everyone I met that night at the Uptown was incredibly accommodating. Killing time in my dressing room, anyone who came by would stop for a second to ask if I needed anything. The fridge was stocked with a sampling of almost every beverage I could think of. They had chocolate and cheez-its, coffee, tea and WiFi. If there was something else I needed, I wasn't aware of it. I kept looking in the mirror, feeling like a girl, thinking, 
“I’m fat - and I hope Seth likes me.” That’s the thing about opening for big names, the fantasy is always that they’ll take a liking to you and ask if you want to hit the road with them. After all, Seth Meyers, hot off the White House Correspondents’ Dinner where he killed Trump, is the head writer for Saturday Night Live. Things lead to things, and as I pace in the small dressing room just off-stage, I keep trying to reign in my expectations. When Seth does show up, I’m afraid to make eye contact. Not out of shyness, I'm just not sure if his manager said it was OK. Seth smiles warmly, extends his hand, and I tell him how thrilled I am to be opening for him. He thanks me for doing it and says his manager has sung my praises. And then, he's gone. He goes to his dressing room to wait till the show that’s still two hours away. His dressing room is directly above mine. I can hear him moving around up there. I wonder what he’s doing/how he’s preparing? At one point he comes downstairs, knocks on my open door and says "Hey, I taped a set list to the floor - I hope that doesn't bug you or anything?"
I smile and just say, "I might start doing some of the jokes by accident."
He laughs a little, saying "You could probably improve them."
It feels like flirting. I mean, it is flirting. Not in a sexual way, more of a, “I have a career crush on you”, sort of way. I watched the Correspondent’s Dinner monologue, and kept thinking, “I’ld like to do that. Man, that guy’s good.” Now, here he is, dressed in a simple hoodie and jeans, being self-deprecating.
He returns to his dressing room, where I can hear him continuing to pace, too. I trade text messages, post excited announcements on Facebook, and look in the mirror for the hundredth time. As showtime draws closer, the place starts to hum with energy. I peek out from the wings and people are filling up the front section. There are still plenty of open seats, but I know we’re sold out. The energy is pulsating, and finally I commit to putting on what I’ll wear, and stand in the wings, waiting. There’s a host to intro me, a sound guy controlling everything, and me. It’s dark backstage, except for a few blinking lights and the buzz of equipment. Finally, the host walks out and, after a moment of welcoming them, introduces me. I walk out onto the large stage, bathed in a follow spot. I stand in front of the mic and begin. A few minutes in, I see the one main theatre door directly in the center of the theatre opening and closing with silhouettes of people coming in. That’s the shitty thing about being the opener - you're killing time for the people to get seated. Still, about ten minutes in, everyone is mostly in their chairs and I-am-killing. God it feels good! Since the room is so large, you have to wait for the laughs from the rear of the place to catch up with the laughs right at your feet. The result is a wave of laughter that rolls over you. You have to take an extra beat before starting the next line. I also understand the importance of the monitor now. Without it, timing that roll of laughter would be harder. Oh, and the echo is just fine.
And just when I get them where I want them, I have to let them go. Warmed up and ready, my job as loosening the peanut butter jar lid is complete.
When Seth steps out there, they love him instantly. I look forward to that day when a majority of the crowd knows who I am and knows I’ll make them laugh. Till then, it’s one crowd at a time, and tonight, I’m reminded, that’s OK.
Saturday’s show is even better! Another beautiful stage and a sold out crowd. I don't get a green room, I get a condo! It has a bar, giant-screen TV, the longest couch I've ever seen, a bathroom/dressing room and a coffee table that I’m betting has never seen coffee, but probably a whole lot of "sugar." There’s even a guy whose job it is to make sure the talent is happy. All in all, it’s a great time. At the end I thank Seth, and ask him to remember me if he should need an opener again.

Life is about balance if it’s about anything. The Seth Meyers gig came along, and a week later my car got booted. It’s OK, because I had more than enough cash to pay off the tickets. Another gig in Sacramento canceled on me the day before, but then a gig I had done at Stanford paid me almost twice what they originally said they would, pay due to a delay of payment. All in all, things tend to work out (when I’m not obsessed with things working out exactly the way I want them to).

Friday, May 20, 2011

Take a Look at These...



Here is a tour of recent weirdness and wonders seen at airports and in city streets. They run the gambit from horrific to weird. Enjoy.


Obama With a Hitler Mustache


It's hard to know exactly where these people thought they were. This was just outside Union Square in San Francisco. Seems like a strange place to get signatures. Here is the truly weird part. They were seeking signatures to bring back an arcane banking law that would of prevented the financial meltdown we had. It was put in place after the great depression and repealed some years ago by Clinton. It's where most economists trace the beginning of our current disaster. That is something a lot of SF people probably know. What they don't like is to see Obama with a Hitler mustache. The woman in the photo looking at me and seeming confused had just been yelled at by an elderly black woman for participating in hate speech images. After hanging around the outskirts for a few minutes it seemed the plan was to excite people, draw them in and then they would find out the kids with the pens and clip boards were on the same side. Fail. Big fail. This became more of a lesson in marketing than politics I think.


Borders Book Store Sign


I saw this at a Borders. Who ever put this sign together either had a sense of humor or this is the best unintentional demonstration of humor and irony. I find it hysterical that recovery is one direction and Self Help the other. The bottom two subjects also seem curiously related. One direction is weight loss and if that doesn't work, Divorce and Separation. For that matter, with the clothes pre-teen girls are wearing, maybe Child Psychology is the opposite of fashion. Erotica or Psychology? Mmmm, I'm not sure.


Free or Free of?


You can throw any piece of shit out on the median lane of a road and it's free. Putting a spray painted sign on a battered and stained sleeper sofa is beating a dead horse. By the way a dead horse is also free.


Really?


I saw this in the Phoenix Airport a few weeks ago. It's a store with the look of a cave named, Caved Inn. Get it? What does it sell? Same crap every store barely hanging on in an airport sells and rocks!
I wonder if gift shops at mining camps have stores named Plane Crash?
I want to meet the guy with big enough balls who talked a company into opening a store in an airport that sells gum, newspapers and mining games. Wow!

Wednesday, May 18, 2011

Some Good News for a Change

Dear Readers,
This has been a good morning. Turns out my storytelling show, Previously Secret Information won the 2011 SF WEEKLY award for BEST NEW STORYTELLING SHOW in San Francisco.
That would be pretty cool but as an added bonus I also won BEST COMEDIAN in the Readers' Poll! What's funny is today I have an interview at the unemployment agency to prove I am excited and eligible to work. Maybe this is the universes way of keeping me humble.
The timing couldn't be better. Wednesday, June 29th I am finally recording my first ever LIVE stand-up comedy CD at StageWerx Theatre in San Francisco. Tickets are just $10. You can get them on line at Brown Paper Tickets HERE.

Thank you to everyone who voted on line=) It means a lot to me.
Joe K.

Monday, May 16, 2011

The Wavy Gravy Gig

"Wavy Gravy killed us tonight."

These are the first words spoken to me by one of the producers when I arrive at tonight's gig.

"What?" I ask not sure exactly what she just told me.

"Wavy Gravy is having his 75th birthday party next door, " she says, pointing to the building where all the noise is coming from. "Great," I think to myself, "it's always something."

Wavy Gravy is a counter-culture hero from the 60's. He started out as a clown, was part of the acid-dropping "Merry Pranksters" (Google Ken Kesey for a quick history lesson, kids), and for a short time had the unusual honor of being managed by comedian Lenny Bruce. This entire place is one giant old factory. The warehouse section has been left open for raves, concerts, and tonight, Wavy Gravy's birthday event. People are wandering around wearing everything from capes, to pajama pants. One woman has a giant mushroom hat with light-up sunglasses. Another guy has a big, red, fake clown nose. Most of the people walking around are a little drunk - and a lot high.


I start blinking, as my eyes are stinging slightly. Not from pot smoke drifting in from next door; from the kitchen. The entire place smells of burnt hamburger. White smoke is collecting in the rafters. They've opened the front doors to help with ventilation, but all that's doing is making the place cold - and smoky. About five minutes before the show starts, one of the comics bails out due to all the smoke upsetting her lungs. Another comic, who came to see the show, has agreed to take her place. Between the noise, and the constant foot traffic of burned out hippies and young stoners from the Wavy Gravy birthday show, the place is like a train station; noisy, and full of people who look lost.


Here's something people don't understand about stand-up comedy. It requires the attention of everyone in the place. Shouting over the din of conversation from people who didn't know there was a show happening, or don't care, destroys any subtlety, grace or nuance in a bit. Even if a small handful of people sitting close to the stage are there for comedy, having another 70 people wandering around trying to order beer from a party next door, ruins it. For all its bravado, comedy is actually delicate. It's not a band in the corner. It's conversation. As a comic my job is to go on stage and tell jokes. Those jokes, no matter how funny, won't work if they can't be delivered in a professional environment. As I will learn later, that's apparently pretty much just my opinion - not the opinion of the producers.


This is the second time I've been at this venue. It's damn near impossible to find. I'm not kidding. If you go to the website of the place they have a video you have to watch that helps you find it. As soon as I walk in I suddenly realize what a mistake it was to take this gig seriously. So many things are going wrong, that by the time I'm arguing with the producer about not going on, in the middle of the show, I realize I should have just walked out earlier.


The comic who opened isn't an opener. He is a very funny feature act. While the ten people who paid for a ticket attempted to listen, anyone paying attention to their body language could see they weren't happy. At one point a guy wearing a big red clown nose walked up to the edge of the stage and yelled, "Say something funny!" When the next comic went on, a burned out hippy lady sat down and ate his food. That was bad enough - but when the mic went out, no one seemed to know exactly what to do. (It was later explained that the sound guy didn't show up.) Having a huge room filled with people trying to talk over each other is not conducive to quality stand-up. After 20 years I've paid enough dues. I'm not going to yell at people so I can make them laugh. With the noise, smoke, faulty equipment and poor quality everything, this was not just a bad place for comedy: it was downright toxic.


Eventually it was my turn. I told the producer I didn't want to go on. They flipped out and yelled at me explaining that these people would then go home and tell their friends that they saw a show where they pulled the plug in the middle and that would not only be bad it would make me something less than a professional. No, I explained, these people are going to leave here tonight and tell their friends about the completely horrible show they saw, that the producers didn't have enough sense to stop. At this point, the producer starts yelling at me about all his problems, and how I have to go on stage. This is exactly what every comic needs right before going on: to have the producer complain to them about their problems. Look, unless you're the guy going on in front of this mess, you don't have problems. What you do have, is a shitty show. Sometimes "the show must go on" is a bad idea, especially when most of the people in the place don't even know there's a show going on. It's hard for me to grasp the logic of making a comic go up in front of 100 people because 10 paid. It's hard to find the logic in any of this. Producers/Bookers don't do their job of preparing a room, but then still want you to do your job, expecting you to somehow magically make it all better. Again, yelling at a distracted crowd that wants nothing to do with a comedy show is as effective as yelling at an anorexic to eat.


When I go on the mic is feeding back. It takes another few minutes to figure that problem out. Almost everything else is forgivable. Almost. The one tool we use, the microphone, has to work. That's just common sense. At one point two girls yell "tell a joke." I thought that's what I had been doing. In fact, all of these jokes have worked every time I've done them before. Why? Well, they're good jokes, but the crowd was there to see comedy and paid attention. I ask," why are you here?" The answer: "To get beer and pee!" Ah, my ideal comedy audience. Then, a spotlight that I guess was suppose to be turned on at the start of the show is turned on in the middle of a joke. Nice! Just as I was getting a little bit of traction with them some genius interrupts it by deciding to turn the spot light on. It's kind of hard not to notice when light suddenly blinds you. The audience member directly in front of me is physically shaking from the cold trying to huddle in his jacket. The noise is overwhelming and I can see still more people from the party next door, coming in. This sucks. And really, the person I have to blame for all this is me. I took the gig. I walked in prepared to have fun and do my best, and when I told the booker this was awful, he yelled at me for believing my lying eyes. I'm sick of this shit. This is what killed comedy. People always blame the comics for poor shows, what about the bookers? They picked the talent, found the venue and set up the sound and lights. Why can none of those things be working properly, and it's alright? But the moment I point out how awful it will be for me on stage, I'm unprofessional?


This is what hurts live stand-up comedy. A bad comic in the middle of a good show can be overlooked. Great comics on a bad show gives us all a bad name. Sure, most of the people here don't want to see stand-up, it's smoky, noisy, the mic isn't working properly, the spot light stepped on a punch line just as I was getting somewhere with this crowd - but I'm the asshole for saying I don't want to go on because the conditions are ridiculous? Give me a break!


When I come off stage, I take my money from the guy without saying a word, and keep walking out the door into the rain. I don't feel bad. I'm angry. I'm angry that incompetent people have run stand-up into the ground with poor quality shows. I'm angry that other comics take this work because they think it's all part of paying their dues. I'm mostly angry that a show I was looking forward to playing on turned into a reminder of everything wrong with live stand-up. What's really sad, and what the producers don't seem to care about, is how much these people will remember how awful this show was, and what that does to stand-up as a whole. The next day I look at my calendar and decide three shows are going to be shitty. I cancel them.


The Facebook debate also begins. One of the other comics on the show posts a quick neutral breakdown of events. I chime in, the producer chimes in and once again I am told that what I saw wasn't what I saw. Again, he leaves a long list of things they had no control over and again I remind him that a producer's job is to have control. I am told that the smoke filling up the place wasn't a result of a grease fire and it wasn't that bad. Never mind that the comic who left was coughing up a lung and my eyes were watering. I am told that there was no threat of violence. It doesn't matter that I never said that. I am told that the restaurant didn't honor its agreement to stop serving at nine, that the sound man not showing up isn't their fault, and those ten people sitting in the cold with facial expressions that read as anything but enjoyment, enjoyed the show. We go around and around again and finally I just do what I should have done that night: stop talking and walk away from it.


Now I have to ask myself the big question, the hard question; what is my part in this? Besides saying, "My part was thinking pros would be putting this on," of course I have a part. Sure, I can't blame them for the grease fire that resulted in smoke. I can't blame them for the place not honoring whatever agreement they have in place. And here's the thing; I didn't do anything wrong. I showed up early, first one there, came with a great attitude (because after 20 years I still love being on stage), and all I did was speak a truth that was self-evident to anyone with eyes and ears; asking a comic to go up with everything stacked against him is disrespectful.


Recently, it's become clear to me that no matter what you do as a comic or how many people laugh long and hard at your stuff, it only takes one asshole to ruin it. More and more the person ruining it, though, isn't someone in the audience at all. Unfortunately, it's the bookers and club owners. I was told by the Booker of a club that I was banned because I called an audience member a bitch, and they couldn't afford to have their guests treated that way. Here's a thought: instead of taking the side of someone who got in for free, showed up drunk, and disrupted the show - maybe you should take the side of the comic who did the job of making the people paying attention laugh? After all, if a comic calls someone a bitch and the audience bursts into affirmative applause, chances are they deserved to be called a bitch. After she left, the show went on just fine. For some reason a lot of gigs cater to the lowest common denominator. Not just in the talent they book, but in the "guests" they encourage to come. If a club thinks they are building a quality customer base by encouraging the behavior of out-of-control drunks who didn't pay, good luck with that business approach. I would much rather play in front of a small but appreciative crowd, who paid to get in, than a large, mostly-boisterous crowd that has to be controlled. A lot of places don't see it that way. Like so many other things in America, they pick quantity over quality every time. What most comedy shows are really selling is alcohol, with a side of stand-up. It has undermined the quality of stand-up because we have to pander to a mentality that thinks being drunk is as much a part of stand-up, as the jokes are. Anytime a business goes down that road, it sets itself up to fail sooner, rather than later. I went around and around with this booker too, before I realized, "I don't want to work a room that values drunk morons who got in for free, more than they value me". What have I lost by sticking up for myself? A few shitty gigs that under-pay me, and under-value the art of stand-up, that's what. And maybe, a little shiny-new self-respect.



Tuesday, April 26, 2011

Go Back to Where You Came From!

The Border Patrol recently discovered smugglers using a new way to get drugs across the Mexican border into America; catapults. That's right! They can get five pound bags of pot almost 500 feet across the U.S. border. Man, you gotta have someone with pretty good aim manning those things or you're liable to make somebody's day on the other side. Then again, maybe that's what's needed to chill Arizona out. Maybe that's Mexico's plan; use medieval weaponry to fire pot into America's litter box and calm all these fat white guys with riffles defending us from the horde of poor people who just want to come here for the chance to make slave wages washing our dishes and cutting our lawns.


Here's my question; how soon before they start using catapults to get people across the border? Conservatives will freak the hell out! "Mexican's can fly now? We don't need a fence, we need a dome!" I think if you're willing to shoot yourself across the border in a drug smuggler’s catapult, to do the work no American wants to do, you get to stay. Especially if you land in this country with a five pound bag of pot. It might not be a green card, but it is green.


America got started, because people looked around and were tired of living in a country where poverty and repression weren't ever going to change. So, they went somewhere else to start a country where opportunities would be normal. We seem to forget that. Of course, people from Mexico are coming here. Besides, if you want to stop people from economically depressed countries from coming here you don't go after the individuals; you make the penalties so stiff for the businesses that hire them that they no longer hire them. Supply and demand, baby! One of the biggest, most-guilty businesses on that score? The agriculture industry. Ironically, they not only don't face massive fines from the government, they receive some of the largest government subsidies. We go after the people picking our fruits and vegetables for crap wages (thereby, keeping the price low), and not only do we not go after the business making a profit on this, we hand them your tax dollars, while rounding up the poorest of the poor people, who will shoot themselves across the border again, first chance they get.


A few years ago the newest Superman movie came out, Superman Returns. Conservatives got angry because in the movie someone asks if Superman is still here to fight for "Truth, justice and all that stuff?" You'll notice it wasn't Truth, justice and the American away. People flipped over this! Why? If I have my Superman facts straight, he wasn't born in America. In fact, he's an actual alien! If anything, conservatives should be more worried about Superman than a Mexican. If you follow their logic, Superman can take the jobs of one hundred Americans.


Here is a little fun-fact that explains why America is in the economic mess that it is, and perfectly highlights either our stupidity or cruelty. All of the uniforms for the United States Border Patrol are made in, wait for it, Mexico! All this bullshit about border security goes out the window. What's to stop anyone at the factory from simply putting on one of the uniforms and stepping across the border? That might confuse an actual U.S. Border Patrol agent. "Wow! There are so many of us out here today! Great. We can use all the help we can get now that they can fly."


Part of why we are screwed is we just don't make anything in this country anymore. That and we send jobs overseas. The Border Patrol uniforms are a perfect example of how we screw ourselves. The American company that got the contract for the uniforms sent the work to a factory in Mexico, because it was cheaper to make them there. Not only does that demonstrate why people come here for better pay, Americans lost out on those jobs because an American company couldn't even wait for illegal aliens to come here, they just sent the jobs over there.

This isn't patriotic. If you wanted to be patriotic those uniforms should be made in the right country: China.


While one part of the U.S. Government is spending tens of millions of dollars to keep human beings we call aliens out of the country, NASA just spent tens of millions of dollars to broadcast a message into space for aliens. I can imagine some super advanced species on their world trying to make sense of our message.

"What does it say?"

"Go back to where you came from!"



Monday, April 18, 2011

VOTE FOR ME!

Every year the SF WEEKLY asks it's readers to vote on the best things in San Francisco. One of the categories is best stand-up comic. I would really like to have this honor. So please vote for me by following the link bellow.
Thanks


Tuesday, April 12, 2011

The Republicans are Dicks

The Republicans have forbidden schools to purchase fruit and vegetables for lunchrooms. You read that right. In the middle of the budget debates someone took the time to write out a special rider to the budget for school lunch programs. In a display of petty spitefulness, the Republicans decided to give the presidents wife a big fuck you by saying no federal money could be used to buy healthy food. Wow!

What brand of special ass-hole do you have to be to ignore the epidemic of fat kids in the country just to give a finger to Michelle Obama? While FOX has been busy planting the idea in little fear based minds that the government "...wants to tell us what to eat now!" your kids have been eating preservative laden plastic wrapped crap that comes in fifty gallon drums available at their school for purchase with their parents money. Why would anyone want to introduce a selection of fruit and vegetables? Why change the system of churning out intellectually void and physically unfit junior Americans?

Do you get what I am telling you? While the country is going through three fucking wars, the greatest economic melt down in our life times and the hijacking of one political party by crazy Jesus freaks who don't realize they are protesting for corporations best interests and not their own, the Republicans said, sure all that's happening but do you know what we really need right now? We need to send a message to the presidents wife that we don't like her at the expense of this nations kids!

Seriously? What brand of mentally deficient willfully ignorant moron decides to put in black and white language a rule that states no federal lunch program money can be spent on food? Real food, too! Not the powdered add water shit we shovel into kids mouths or the sugar and fat ka-bobs available from vending machines that are there only because schools have been so under funded that they bring in companies that split the cash with them.

Has anyone ever thought that the rise in ADD coincides with the rise of sugar in our kids diets? You know what might be good? Some fruit and vegetables. Nah!

This is what politics has come to. You don't have to like Obama or his wife but you're going to be against fruit and vegetables in schools just because the presidents wife is for it?

Sorry, I just can't wrap my head around this one at all. They put it in writing! They took time from trying to decide what our countries economic priorities should be to come out against fruit and vegetables. FRUIT and VEGETABLES!

Oh well.



Friday, April 08, 2011

10 Things Wrong About America Right Now

1. Taco Bell now offering a burrito made with frittos inside. Because America isn't fat or they know their stoned demographic?


2. Bottled water.

Why is it that the more expensive the water is the more they have a story about the pristine mountain lake fed by glaciers on the label? Then it has an expiration date. Also, if a can of coke is cheaper than water what does it say about your product when adding ingredients to water makes water less valuable?


3. On Facebook, where it asks, Political Views and people respond, Christian.

Christian is a religion not a political view. If you think mixing politics and religion works out, remember that's the mix that killed Jesus.


4. The dream ticket for conservatives is now Donald Trump for president with Sara Palin as VP.

That's right America, two reality TV stars are the Republican front runners.


5. We have three wars going on.

Four, if you count the war on drugs and five if you count the class war.


6. Charlie Sheen.

Enough said.


7. If being a christian means following the teachings of Jesus Christ and Jesus Christ said he was for the poor and sick and a majority of conservatives say they are some type of Christian, WHY would you be for corporations making a profit off sick people and against any sort of humane reform in health care?


8. America has 50,000 troops in Germany and 30,000 in Japan and Korea and those wars ended a while ago.

You really think we are leaving no military behind in Iraq? Get use to Iraq being the 51st. state, America.


9. The people who brought about the greatest economic collapse in world history didn't go to jail.

They went to work for Obama to "fix" the problem they created. Meanwhile, the rich are getting tax cuts as the government cuts back services for the old and sick and to make up for the budget shortfall, the rest of us will pay more taxes on lower income as the banks continue to use the bailout money they got for screwing us to pay lobbyist to stop the government from regulating the banks.


10. G.E. made 14 billion dollars in profit, paid $0 in taxes and received 3 Billion back in tax credits.

They employee 975 tax lawyers to make this happen while I struggle to make enough money from telling dick jokes to strangers for love I didn't get growing up on the road just to pay my overworked tax accounted to see that I ONLY pay some of what I owe the government now and some of it next quarter.



Friday, March 04, 2011

My Civics Lesson or, Airport Security Got to Second Base With Me!

All I have to do is say the words "airport security line" and almost everyone shakes their head in shared frustration. How is it America, to protect itself against extremist Muslim terrorists, subjects its own citizens to a humiliating degree of security? And Israel, a nation surrounded by Muslim countries that routinely vow to wipe it off the face of the Earth, doesn't?

The national airline of Israel has never had a hijacking. How do they maintain security, in what is, essentially, a 24x7 live war zone? They’re trained to pick up cues, while questioning every passenger efficiently, ushering people through security lines based on when flights leave, not the cattle call, one-size-fits-all approach we have here.

When you enter an American airport, you start hearing the taped announcements, "Homeland security places the threat level at orange." What does that mean? Does anyone remember what level orange means? It sounds like an early 80's band. Is orange good? Is that level bad? Have they poisoned our vitamin C? After awhile, all you really register is the word: “Threat.” Then there are the classic announcements, also played in a loop. “Keep your bags with you at all times.” “Report anything strange right away to the authorities.” When you boil these phrases down, the message is distilled simply to: there is something threatening here; don't trust others; people who look different are bad.

If those don't get to you, then all the books written by conservative commentators will drive the point home, too. Maintaining the fear generated by the 911 attacks has become a lucrative business, so it makes sense that people buy books claiming to fight "them." After all, you're in the airport, with that constant loop of fear-based messages filling your head. So when you see a book that claims to lay out the entire agenda of "them", asking why we aren't doing enough to fight "them", why wouldn't people’s reptilian brains make a fear-based purchase?

America, as a country, probably still suffers post traumatic stress disorder from 911. Telling people to be scared of stray luggage, and using a phrase like “threat level” over and over before we board planes, isn't exactly helping us move on.
The airport has become equal parts civics lesson, re-education camp, and just a general pain in the ass. It's a sort of no-man's land, where most of the Bill of Rights doesn’t apply. You actually leave America when entering an airport, and only return to it when you exit at your destination.

When I get to the part with the plastic bins, I get behind a guy who hasn't been to an airport for more than ten years because he is mystified by it all.
"Take off what?" he asks a TSA agent pointing to his shoes. Finally, he pushes his five individual plastic bins into the x-ray machine. Five! A solo traveler with their laptop in a plastic bin should take up no more than 3. As a pro traveler I only use 2. I have slip-off shoes, a quick release belt, and my coat is off before I even get to the bins.

The guy keeps setting off the metal detector. They keep asking him "Are you sure you don't have any metal in your pockets?" He keeps shaking his head and everyone in line behind him shakes theirs, too. After the third time, they use that Jedi wand thing, and it reacts around his knee. "I have a titanium implant. Do I take that out?" He really asks this! After the backup, I’m kind of tempted to watch him try!

Taking your shoes off and removing your belt is exactly what anyone under arrest has to do during jail intake. The only difference between airline travelers and just-arrested suspects is – they read suspects their rights. I think the TSA should have someone standing there, giving you the anti-Miranda speech.

"You don't have the right to be silent. Any and all questions must be answered and must be answered free of sarcasm, frustration or sense of humor. You give up your right to have an attorney present during questioning. You give up the right to the first Amendment, which states you have a right to free speech. You don't have a right to the fourth amendment which states that the police or other government authority can only search your private property with reasonable cause that has to be demonstrated to a judge who will issue a warrant. Should you choose to exercise any of these rights spelled out in the constitution you could be delayed, subject to more intrusive security measures, and, in some cases, arrested and charged with a federal offense that carries jail time of four years and a fine up to $100,000."

I push my stuff into the machine, and in stocking feet walk over to the latest piece of equipment our tax dollars have purchased. It's a futuristic-looking, glass and plastic cylinder you step into, and in a demonstration of exactly how much of our rights we surrender, we comply when told to put out hands above our heads. There is no sound as some long bar between the walls of the cylinder rotates around and an image of you is uploaded to a computer. It sees through your body. Basically, it’s a digital strip search. It sees through your clothes. It can see a pacemaker in a chest, a tampon inside a woman, and, in theory, any hidden explosive materials inside the human body.

A properly-trained dog can sniff out the same thing, for a lot less money. In fact, a recent article suggests that dogs can smell cancer. That’s great information, because full body scans, medical exams that seem designed to find lumps (masquerading as pat-downs for bombs), and dogs that can smell cancer, might be as close as Americans will get to universal government health care.

When I step out of the machine, I’m told to wait. To make sure I know exactly where to stand, they’ve painted the shape of two yellow feet on a rubber mat. Believe me, it's not a Welcome mat. I stand there a moment as other people are allowed to move past me. The TSA agent stares at me. It's not a "I know you from somewhere" kind of stare; it’s a cop stare. Something in her eyes is predatory. It’s unsettling. I ask "What's going on?"
Nothing. No answer at all. Just her unwavering eyes. I ask again.
"Is there some sort of problem?"
Her walkie-talkie crackles at her side. I can't hear what is said into her ear or even what she says into the microphone clipped to her shirt. When she ends her transmission, she simply says in a flat monotone, "A supervisor will out in just a moment for an enhanced pat-down."
I drop my shoulders, close my eyes, and exclaim a little too loudly, "Great!"

I notice a few other TSA "blue shirts" looking at me now, from a back wall. They seem to have no other job than to do just that. All I can think is, “This day’s been hard enough, and I’m so close to making it to my gate. Why me? Why did I get picked for additional security?”
"Would it speed things along if I just took off all my clothes right here?" I say this half-jokingly. TSA doesn't respond well to jokes, I find.
"If you do that we will call the police." She says this in the same flat, bureaucratic accent that probably hasn't changed since the first time someone dutifully uttered the chilling phrase, “I’m just following orders.”
To me, this is funny. I laugh. She doesn't say a word, or blink, just cocks her head a little, in that time-honored silent way of asking, "What’s so funny?"
"If I get naked, right here in front of all these people, it's illegal; and I could be arrested for exposing myself in public. But, if I refuse to go through this imaging machine that takes a nude picture of me, I could be escorted off airport property. That's irony!"
"Threatening language to a TSA agent is a crime," she says.
It’s more than menacing now. I’ve already surrendered my fourth amendment right, and now I’m not-so-subtly being told, there are limits to my first amendment right here, too.

If all of this is to protect us from terrorists attacks, and the terrorists hate us for our freedoms, then good news: our freedoms are disappearing, so they should be cool with us soon. In fact, between America sliding faster and faster toward some Fascist state, and the Arabic world slowly moving toward more freedoms with recent protests, we should all meet somewhere in the unsatisfying middle, really soon.

As I shake my head I notice that over her shoulder I can see a series of dark plastic, half-globes in the ceiling. Just like the security cameras all over the casinos in Vegas. That's exactly what they are. I realize, somewhere, in some other room in the airport, someone is looking at a bank of monitors and I’m the current star. Did I trigger something in a facial recognition software program? I know from reading that these programs are designed to pick up "micro-expressions." These are common expressions on the face of any human under great stress. It doesn't seem like my expressions are very micro at all. I'm pissed. Besides, describing someone as being “under stress” could describe a suicide bomber, trying to fool security; but looking around, I realize it could also describe most of the faces around me in the security line.

It’s weird to see those half-globes. It’s weird to know that, in a basement somewhere, a supervisor is telling the agent in front of me to hold me. It's 2011, and we finally have the technology to live like it's 1984.

A man comes up to me, another blue-shirted TSA agent, and asks me to follow him. I walk to where there are several small rooms set up against the back wall. He asks me to step inside. I enter the room. The two plastic bins of my stuff are already sitting on a shelf. A second Agent now stands in the doorway, watching me with that same unsettling look. The first guy starts to put on blue plastic gloves. He doesn't look me in the eye, just says to me, "I need to tell you that I am going to be touching your crotch and putting my hands on you. Is that OK?"
"Do I really have a choice?"

Neither of them answer. Instead the one with the gloves simply says, "Raise your arms please." Thoroughly and efficiently, he does, indeed, pat me down from head to toe, even squeezing my pockets, gripping my ankles where my socks are, and going around my beltless waist. Then, he gets down on his knees and does to me what priests and creepy uncles have been thrown in jail for. This is an enhanced pat-down in the same way interrogations in Iraq were enhanced. He puts his palm flat against my penis and slides left than right, up and down, rubbing the front of my pockets and almost squeezing my inner thigh, looking for something their billion dollar-machine missed, I guess. I instinctively flinch. "Jesus! Shouldn't you be asking me to turn my head and cough?"
When I am uncomfortable, I tend to joke.
Still on his knees he says, "You should know the TSA takes sexual harassment very seriously."
"You're the one feeling me up, Dude!" Maybe I say this with a little too much anger. I don't know. He lets out a sigh, completes the government-sponsored groping, and stands next to his partner in the door, who finally speaks. "You don't have to like us but we're doing our job and you need to respect us."
"No, I don't." It comes out of my mouth before I can check myself. It just pours out in one sentence as I put my belt back on. "The government just detained me, felt me up under the threat of not being allowed to travel to my destination, and subjected me to humiliation. I wasn't shown respect so no, I don't respect you or your job."

I'm angry now. I feel my body flood with adrenaline. I am shaking a little. He clenches his jaw measuring his words. Before he speaks again I reach for my shoes when a sensation overtakes me.

It's fear.

I suddenly realize, this is how it happens. For the first time in my life, I actually fear my government. I'm in a windowless room with no cameras and two government agents. They have all the power, and I don't even have my most basic civil rights.

His jaw muscles flex several times in rapid succession. I do that, too, when I’m trying to decide to say out loud what I know I shouldn't say. This makes me more nervous. He just keeps looking at me. “This isn't going to end well”, I think. In a split second, his clenched jaw changes to an easy smile, as a look of recognition spreads across his face. "You were at the Punch Line a few weeks ago! You were funny, man!"

Holy shit! I'm not famous or anything. I get recognized every once in a while around town, and it's cool. I realize this is how famous people go crazy. They are caught doing something illegal and then get off the hook, free to go on snorting a line, and end up like Charlie Sheen.

When they leave, and I’m allowed to go on my merry way, I realize the President’s plane, Air Force One, is still on the ground here. That explains all the extra attitude, I guess. I get on the plane, and before it takes off, I get the special speech from the flight attendant, because as luck would have it, I'm in the exit row. They ask you if you understand English, and then essentially deputize you as emergency-door-operator in the event of an emergency.
What?
You're telling me that after going through a million dollar x-ray peeping Tom machine, a regular x-ray of my bags, security dogs, cameras, and all the built-in safeguards on a modern jet - the entire billion dollar safety and security apparatus that’s in place - if there’s a disaster, comes down to me?
Awesome! I want a blue shirt, name tag and the ability to feel up my fellow American's!

I get to the gig and tell this story. After the show the tailor in town comes up to me. "Hey, do you want me to make you some special pants so when they do that to you again something comes out?"
I already have that. It's called every pair of pants I've ever owned.

Monday, January 31, 2011

""You People""

I was on stage at a cool little hipster bar in the gritty mission district named, The Make-Out Room. I was doing a joke about San Francisco outlawing toys in happy meals. It started out with my sister making fun of San Francisco by saying, "What's wrong with you people? You outlawed toys in happy meals!" I couldn't finish the joke because a young hispanic girl in the front said, "I hate it when people say, you people!"

I asked her "It's usually one of my people that says something like, you people to people like you isn't it?"

She smile and nodded.

I asked, "Do people say that to you when you're alone?"

"Yes!"


I think I figured out one of the causes behind racism. If someone is saying the problem is "you people" to one person, I bet they are drinking heavily and have double vision. Thats why they are freaked out. They think there are more minority people than there actually is. You see, the problem isn't racism, its alcoholism.


I asked her, "When was the last time someone yelled at you, You people?"

Without hesitation she quickly responded, "A guy fell off a roof."

The audience started laughing along with me.

She didn't just answer the question with an unexpected response, it's that she said, fell off the roof, with air quotes around it.

"Did he actually fall off the roof?" I asked.

"Yes!" she responded as if I was asking a crazy question.

"Well, if he actually fell off the roof I don't think you can use air quotes. That means he didn't actually fall off the roof. It means you're using it as a metaphor or some phrase we all know means something else so, did he fall off the roof or did he, fall off the roof?" I asked, complete with air quotes around the final, fell off the roof.

The crowd laughs, she turns a charming shade of red and meekly responds, "No, he really fell off the roof."

"And someone blamed, you people, for this even though it was just you standing there? Are you sure you didn't push him off the roof or something?"

"No, he just fell off a roof and I was standing there."

I thought for a moment and said. "So a guy falls off a roof, lands next to you and some other person looks at the guy who fell off the roof on the ground, then turns to you and yells out, what's wrong with you people?"

She nods her head yes.

"There has to be more to the story!" I say.


It quickly reminds me of a scene I witnessed in golden gate park once. Two men were sitting on a bench having a conversation. I couldn't hear what they were saying but one of them raised his arms to make air quotes around some point he was making. The reason it stuck out in my mind was, he was missing his left hand. That makes that sentence grammatically incorrect. It's a run on sentence, right? The quote is never closed. If he was telling me a story and used air quotes around something like, you people..., I could only sit there and wait.

And all of this happened with my camera sitting in the car. Damn. I broke my own rule about recording every show. You never know what will happen in a show.